‘It’s Clive,” I ventured we have a meeting about your movie”, there was a clattering of what sounded like cans, then Hunter let me in, where he shambled into the room and then slumped down onto the floor leaning back in an open fridge which had, had it’s door aggressively removed by Hunter.
In my absence I later learned that the minute I left the Manga people, the flash unit gave up the ghost and ‘the capacitor burnt out and melted down’.
In the morning, there was no sign of Susie when we sat down for an early breakfast, which made Martyn and I panic as this was the last shot for the calendar.
Sometimes we’re too eager to press the shutter and take the picture straight away without realising that it is a silent image. Its voice speaks through the final photograph.
We went up to his hotel room to look at the clothes. Where Michael had arranged them all over the place and set up an ironing board. As we talked he continued to iron clothes. I said “Michael don’t you want to get someone else to do that?” He smiled at me and said, “No Clive, I find it very therapeutic actually.” and ironed on.
I am delighted to announce we have reached just under (by a glorious £2.00!) 50% of our kickstarter crowdfunding goal … More
After Art School in 1966 I worked stoking boilers at a local telephone exchange from 6am until 2pm – just so I could paint in the afternoons. I then got a job at Rediffusion’s Graphics studios as someone there had seen my drawings and paintings in a graphic arts magazine, and they found me and hired me.
Jean, without any sense of irony said, “Mmmmmm, Mmmmm, Enjoy” as if she had presented an eight-course gourmet meal, arms triumphantly gesticulating towards the feast. The maid had very kindly cut the pizza into eight pieces that were no bigger than a minuscule Ortolan.
Kansai Yamamoto is that rare thing, a complete artist. His work covers design and so much more, it’s about fashion, … More
In 1966 I was commissioned to do some illustrations on the set of Kubrick’s 2001. This was an extraordinary … More