Maserati for IL TRIDENTE

Mazerati

I shot this campaign for iconic italian car designers Maserati for there inhouse magazine IL TRIDENTE. I worked with my dear friend and stylist Marcella Martinelli on this shoot using clothes by PradaVersacePhilip TreacyRoger Vivier  and Sergio Rosi and it was shot at Farnborough Private Airport. The shoot was conjunction with Maserati and Vistajet.com. Luggage supplied by Louis Vuitton.

_Mazerati beauty hat.G_1578

During the the shoot, to get the angle I wanted I had to strap a the flash unit toa cherry picker platform.   Since we we were at an airport with it’s exposed position the wind was blowing the swaying the platform from left to right. I then had to time the shot for when it was exactly in the middle position, while it was gusting from side to side.  This combined with the fact that I was shouting instructions to the models (the fabulous Marla at Premier and Albert at Select) meant that the whole job was like patting your head and stroking your tummy, 25ft from the ground  on a moving platform! Not an easy shoot, but very rewarding. Thankfully it was the first time I had used the Canon 5D MKII and the quality of sharpness and colour saturation of the camera more than compensated for stresses of the job and helped me to achieve the final great result. I had bought the camera in Taiwan and subsequently bought, 2 more Canon 5D MKIII’s and it is the camera I use most of the time for it’s speed and efficiency.

 

If you’d like to inquire about purchasing a print please contact me though my website at: www.clivearrowsmith.com

If you’d have a press inquiry contact Chilli Media who run my archive:
Tel: 01622 600491 /// Web: chillimedia.com /// F. @CHILLIMEDIA Steve Tomkins

Kansai Yamamoto behind the scenes at Hello Tokyo

Kansai poster

I shot this image in the break between rehearsals for the ‘Hello Tokyo Super Show’ of the classic costume that Kansai Yamamoto originally designed for David Bowie. I had to add the background digitally from an image I sourced from a book of beautiful Japanese painting and I then scanned Kansai’s signature from a letter he had sent me. The original shot was taken backstage at the venue in Tokyo in March 2012.

 

 

If you’d like to inquire about purchasing a print please contact me though my website at: www.clivearrowsmith.com

If you’d have a press inquiry contact Chilli Media who run my archive:
Tel: 01622 600491 /// Web: chillimedia.com /// F. @CHILLIMEDIA Steve Tomkins

Pirelli Calendar 50th Anniversary Celebrations

Pirelli Buffalo.1992 Arrowsmith.4

pppp

It was peculiar for me to find myself on the other side of the lenses when I went to Milan to celebrate 50 Years of The Pirelli Calendar (click for link to Independent Newspaper story, where yours truly might of had a few things to say). It was fantastic to see so many photographers and their work and all the guests assembled in one place to celebrate what for me was one of the most challenging but enjoyable jobs of my career. I shot the Pirelli Calendar twice in the 90s, the themes I used were ‘Heroines’ and ‘Chinese Astrolgy’. The second calendar shoot was also made into a documentary for Granada TV fronted by Michael Aspel. The shoot itself was art directed by my friend Martin Walsh (pictured with the nurses at the end of this post) who was also at the celebrations. We managed to share a few fond memories of make up dripping of the models in the searing heat and the memorable moment when the entire studio set up blew off a cliff. Happy Days!

Pirreli exibition

The above shot was taken in the auditorium with my shot of year of the Ox taking centre stage. Couldn’t stop taking pictures once I was there so in typical photographer fashion I have no pictures of me with anyone.

Martyn-And-the-Nurses_1030169

 

If you’d like to inquire about purchasing a print please contact me though my website at: www.clivearrowsmith.com

If you’d have a press inquiry contact Chilli Media who run my archive:
Tel: 01622 600491 /// Web: chillimedia.com /// F. @CHILLIMEDIA Steve Tomkins