Maxine had given me complete freedom and trusted me to express myself. That is the best way to work with creatives and these are the best of days and the best of times, thanks Maxine.
We went up to his hotel room to look at the clothes. Where Michael had arranged them all over the place and set up an ironing board. As we talked he continued to iron clothes. I said “Michael don’t you want to get someone else to do that?” He smiled at me and said, “No Clive, I find it very therapeutic actually.” and ironed on.
I shot Kirsten in the late 90s when she was promoting her fantastic BAFTA nominated performance in the English Patient which was an eery, moving and unsettling film. Most particularly because she was left in the desert alone with nothing but a book of classical Greek poetry.
As a painter their faces really affected me, I thought if they were in 15th century costumes the images would have had a Renaissance perspective, due to them all having such incredible faces. Sadly I couldn’t imagine them agreeing to cod pieces and tights, so I kept my vision to myself.
In 1966 I was commissioned to do some illustrations on the set of Kubrick’s 2001. This was an extraordinary … More
Really delighted that this is continuing – I have copied the press release below as I so like what they … More
Being in the theatre immediately inspired me (probably wrongly) to enthusiastically instruct the models using clichés such as, “Wonderful my Darling hearts”, “Fabulous my luvvies” and “It’s a triumph!”
When I photographed Ashanti for the Next Big Thing for The Sunday Times in 2003 I was trying to create … More
I cannot voice the campaign as well as Waris does in the video below so I won’t try. I recommend you support her and listen to her words. It touches me deeply when I see how she has used her voice in the world to remind us of the suffering of others and is leading a path to alleviate that suffering.
I was asked to photograph the model, designer and heiress, Jasmine Guinness and was told by the magazine they wanted … More