The shoot was at Holborn Studios and I took pictures of him and Ann and then Ann left to go shopping. As she was leaving she called me over to the door and whispered, “Don’t let him go the pub”. The pub unfortunately or fortunately depending on your perspective was just across the road.
I was lucky enough to have a jam with them which was totally amazing except my guitar playing was not up to their playing. Listening to Cass singing “On and On” with Dave and Ned was mesmerising.
As the shoot was taking some time I knocked on the door and was called into the dressing room by Raquel who was in front of the mirror doing her eyelashes in a rather tiny bra and pants looking like the Goddess she is. As my regular readers will know I am rarely lost for words and could feel myself getting all hot and bothered and looking at my feet and shifting my weight from one leg to the next.
Willy also asked me to come up with a concept. I had been reading a lot about Egyptian mythology and was particularly fascinated by the falcon headed Egyptian God Horus . This fascination had begun after reading the Egyptian Book Of The Dead and taking acid with my assistant (affectionately known as The Wasp) at a friend’s manor house in the country, where I saw a vision of Horus.
A joyful and familiar Liverpool drawl spoke to me down the phone saying “Clive, I need you to shoot the … More
It has to be said that Friday nights launch of Peter Gabriel Reflections at The Museum of Bath Architecture was … More
It’s a brave new world for me having a direct relationship with people who look at, enjoy and and buy … More
I kept saying “Yes, Arthur in a moment, can’t you see I’m trying to interview one of the greatest guitarists in the world”. I thought a faint smile drifted across Ry’s face but I think that was wishful thinking. Eventually Arthur could contain himself no longer and he said within earshot of Ry ” Mr Arrow you have toilet paper stuck on your forehead”.
I was always admired the mystique created by Ian Hunter always wearing shades much like the fabulous Jeff Lyne of ELO, it is his ‘look’. Shades are part of rock and roll imagery that Dylan used and in my opinion Bono has never quite pulled off (sorry Bono).
Marc’s genius is his painstaking attention to detail, using scale and materials to produce radical and stunning forms. He draws on classical art in a very imaginative way, his blood head self portrait for example reminded me of the death masks of old which were also cast directly from the body.