We went up to his hotel room to look at the clothes. Where Michael had arranged them all over the place and set up an ironing board. As we talked he continued to iron clothes. I said “Michael don’t you want to get someone else to do that?” He smiled at me and said, “No Clive, I find it very therapeutic actually.” and ironed on.
As the shoot was taking some time I knocked on the door and was called into the dressing room by Raquel who was in front of the mirror doing her eyelashes in a rather tiny bra and pants looking like the Goddess she is. As my regular readers will know I am rarely lost for words and could feel myself getting all hot and bothered and looking at my feet and shifting my weight from one leg to the next.
Willy also asked me to come up with a concept. I had been reading a lot about Egyptian mythology and was particularly fascinated by the falcon headed Egyptian God Horus . This fascination had begun after reading the Egyptian Book Of The Dead and taking acid with my assistant (affectionately known as The Wasp) at a friend’s manor house in the country, where I saw a vision of Horus.
I first met the Spaghetti people the divine Nadia and Suomi La Valle in 1979, at that moment I was … More
Ritz Newspaper asked me to photograph a selection of stunning 1920s jewelled dresses. Somehow the stylist (forgive me I have … More
A joyful and familiar Liverpool drawl spoke to me down the phone saying “Clive, I need you to shoot the … More
My assistant set up the lights and I wanted it lit in such a way that his head and hands where the only thing that was illuminated with the rest of his body in darkness. Once we’d set up the lights I noticed he had very shiny patent shoes which I also lit from the side to add some dynamic light to the pictures. The idea was to get the maestro and his piano to merge as one.
It has to be said that Friday nights launch of Peter Gabriel Reflections at The Museum of Bath Architecture was … More
I am delighted to announce we have reached just under (by a glorious £2.00!) 50% of our kickstarter crowdfunding goal … More
After Art School in 1966 I worked stoking boilers at a local telephone exchange from 6am until 2pm – just so I could paint in the afternoons. I then got a job at Rediffusion’s Graphics studios as someone there had seen my drawings and paintings in a graphic arts magazine, and they found me and hired me.