When I discovered them again between shoots, exhibitions and the whirlwind of the photography world. I realised how sensual and slightly androgynous the model is who I think is called Mona but I am not 100 percent sure.
Category: British Fashion
Face lift photos for Hearst Magazines
I shot these phots on a Linhof 5×4 plate camera for Hearst Magazines – it was a story about the … More
Charlotte Rampling – Vogue September 1970 and Harpers (early 90s)
Even when I asked her if I could pour water over her head. She said yes and then my assistant was duly instructed to stand on a tall ladder and sprinkle water over her.
British Vogue – The American Issue Part 3 (1973)
Warhol was a man of few words and wielded an antique polaroid camera and insistently took polaroids which he then dropped on the floor, without looking at them. I said ‘Are you going to open the polaroids Andy? He said, ‘No, I like them to cook because the colour becomes more intense.’
The Rhodes to Zandra: Part One
Zandra is a major talent as well as being a very bright, approachable and affable lady. The Fashion and Textile Museum (London) are currently exhibiting Zandra Rhodes: Fifty Years of Fabulous from now until the end of January 2020. I recommend you go along and see the gowns in real life, I say this unreservedly the gowns are works of art.
Girl In the Timeless Room – 1969 Harpers & Queen
The main thing I find using Adobe Photoshop is I can revitalise and re-image the colour and restore the original quality of the image. An analogy would be, if you remaster a Beatles album, you have the spirit of the original saved in a stable way and that is the blessing of digital.
Sci-Fi Mystery – Hyde Park – British Vogue 1970
I always like casting shadows in my pictures and not just casting light, which is something that I don’t think people think about closely enough. There is always the moment of the big reveal that has the most incredible power and dynamism.
Muse In The Mystical Garden – London (2015)
I decided it would be fun to shoot in my garden as it was looking particularly good and I had some interesting lighting ideas. I decided to back light all the foliage in the garden so I could capture the the translucence quality of leaves and branches, which gave everything a more mystical look.
The Liberty of Venus – Melanie Scheriau (2002)
I was sinking further into disappointment as the art director leant forward said in an almost intimate whisper “and a lingerie shoot.” At that moment I heard Schiller’s ‘Ode to Joy’ in the background
Caroline Coon – Hippies for Harpers
“There is this really beautiful girl who is writing about alternative culture and we want to do a feature on hippies.” “What’ I said ‘Hippies for Harpers” I was amazed that they would consider doing something that was so trendy. “Her name is Caroline Coon”, he continued “and she knows where it’s at”.